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Me vs St.David: Round 2

When I first stepped into this cathedral in Wales a couple years ago, I was more than a little undone by the 1500+ year story of the place. When Christianity started to move into this part of the world, it often set up shop near or on sites that the more local gods already inhabited…places that were already considered sacred by the locals. St. David’s has our man setting up shop in 500AD or so. The building convulses a few times (conquerors, fire, raiders, an earthquake) but much of the material is hundreds and hundreds and hundreds of years old.

That is a lot of memory in that old stone and wood.

Places like this were mostly about wielding power. Have you ever seen the Welsh coast?? The whole thing is a cathedral and the very last thing one would need in a place like this is a building that god purportedly lives in.

So, to me these places are full of sadness and impotency and I’m sure all us visitors are wading hip-deep through old prayers that were sighed upwards toward the heavens only to be blocked by the cathedral ceilings and fall back to the stone floors. Not to mention the garden variety bad stuff that goes along with places and people of power. All this can make a walk-through more than a little intense, if you’re so inclined.

I am so inclined, so this time I kept my guard up, kept my hands in my pockets, and kept my distance from the truth of the place. I became a tourist. A tourist with a mission: to take a Vain+Alone shot.


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London Night 2

Stephen insisted it was a punk club. We did sort of roar out of the gate and then careen off the tracks, which is kind of punk. And the room was underground. And the air was close and it was hot. And it was a black box.

So I guess all that adds up to sort of punk. In fact, the room was part of a local arts organization. Pretty tame stuff.

We were to have played in Canterbury but the host there became ill and it fell on Justin’s shoulders to find us a room to play so we opted to do a second night in London. By this point, Justin’s shoulders were already chock full of other things but he took it on anyway and, in the end, the joint was full.


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Learning to love the Soundman…is easy.

When I started out with The Stickpeople a million years ago, I had a soundman, Leslie Charbon. He was a part of the band. It was a luxury, something I learned when I started touring without him. Every night became a crapshoot, and chances were that the more competent the person sounded over the phone in the days/weeks leading up to landing at their venue, the bigger the gamble when it came to showtime and the more disappointed I would be. Sometimes it would feel like yelling into the wind for two hours.

As the band has grown for the Nights of Grief & Mystery, it has become clear that we need a sound person, so for this tour we bit the bullet and hired Joe Meekums. I had long forgotten the impact on stage of knowing that shit was being handled out front, that we had a co-conspirator out there with a vested interest in helping us get to where we so deeply want to go every Night we do this.

I am (we are) indebted to Joe (quite literally) for being reminded that the words, lyrics, melodies, grace notes, subtleties, silences and roars are all worth being heard out there in the rooms we play.

Thank you, Joe.


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First time in Scotland for the lot of us on stage.

Why would I be shocked about our reception in Edinburgh? The foot stomping calls for an encore; the random couples dancing and clinging to each other throughout the night; the calls for “Carry Me” (where the hell did that come from?) and being sung home by those full voiced people at the very end of the night…? Why was I shocked?

My grandmother was born in Dundee.


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Vain + Alone in Brighton, UK.

Eventually, the rain I’ve always associated with England but have never met (after a couple tours) shows itself here in Brighton. It drives me indoors at 5:30am, into the lobby of our small hotel on the Brunswick Square, vain and alone.
Brighton 1

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Dickens, Sherlock, Trump, The Queen and me.

Portsmouth, Hampshire, England.

Last night’s gig was sold out thanks to the tireless efforts of a few visionary folk here. I’m shitty at geography, so didn’t know much about this place.


Here’s what I DO know now:

I’m staying in a house once owned by Sir Arthur Conan Doyle;

The theatre we played in was built in 1874;
Henry the 8th stood on a tower around the corner from where I’m writing and watched his beloved ship, the Mary Rose, unexplainably sink before his eyes en route to battle the French;
The theatre we played in was where Charles Dickens’ mother went into labour with him;
In a part of England that was flattened by bombing in WW2, the theatre we played in was left standing because it was owned at the time by a Nazi sympathizer who helped guide German war planes toward the harbour using lights on the theatre roof;
The queen of England is here today.
The president of the United States is here today.
Peter Sellers was born above the Chinese food place down on the corner;
The neighbourhood I’m staying in was in lockdown last night, a curfew enforced, and our drummer had to leave the post-gig meal withoutapple crumble and creme fraiche so as not to be arrested after midnight;

There are snipers on roof tops;


Choppers in the air, keeping the tension company.


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Slave: from Pleasure & Relief

Dan Parr conducts The Beggar String Ensemble in this live recording of “Slave”.